Wittgenstein and the Demystification of Art and Art Rituals
DOI:
https://doi.org/10.24193/diakrisis.2025.7Keywords:
Wittgenstein’s Theology, Aristotle, Philosophy of Science, Culture, AestheticsAbstract
The criteria of Wittgenstein’s theories on demystification through art and rituals are inexact; in the realm where the Form of the Good dwells it is impossible to even dimly see and testify to the logical clarification of thought (catharsis). The reason for this impossibility is that catharsis is a biological procedure; which means that it concerns solely the physical, not the mental. Expanding further this idea as regards the use of language that implements catharsis, Wittgenstein maintains that communication signs alone play no part (hence neither do apprehension nor sense impressions) in a language which is disconnected from patterns of relationship that explain life and reality. To pay attention to these signs is to understand merely what happens – not what really is. To transmit them means to apprehend only their patterns – not what lies behind these patterns. And that was exactly, following Aristotle, what the initiates of the rituals as regards the form of the Good, were dedicated to. Their aim was not to grasp the Truth but to experience it through passion, thus putting themselves in a condition to dedicate themselves to its realisation. Plato, on the other, thought these rituals were qualified by sophistry. This process does function, however, not only cathartically at the level of thought, but also therapeutically, as healing the evils of times and physical evils and passions. Aeschylus’ lesson: that learning is brought about through passion solely, clearly foreshadows Wittgenstein’s demystifying ideas on the healing functions of parallel learning procedures.
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